Everything You Need to Know Before You Buy Ray-Ban Sunglasses

This design debuted in 1952 and quickly became one of the most iconic (and oft-imitated) eyewear shapes on the market. Wayfarers are characterized by sturdy acetate frames, logos at each temple and two tiny metal ovals on the front of the frame.

The Wayfarer Classics can be bought polarized or unpolarized, with multiple lens tint options to pick from. You also might want to keep an eye out for special editions of the Wayfarer — in the past, the iconic shape has been made available with tons of wild frame prints and texture options as well as the standard glossy black and tortoiseshell colorways.

The only difference between these and the other New Wayfarer Classics is that this frame is made from matte rubber, a textural but also aesthetic difference that's very evident. Not only do these not have the usual shine, but they're a little odd-feeling on, and they get pretty greasy.

Ray-Ban’s updated take on what’s arguably its most classic design, these feature a slightly smaller profile and softened frame shape. The result is a pair of sunglasses that’s great for smaller faces, or anyone who feels like the original Wayfarer was this close to getting it right but didn’t quite cut it.

Designed for life in the bright lights, this iteration of the Clubmaster, called the Clubmaster Flash, simply comes in four mirrored lens options.

"New" Ray-Bans feature decorative etched arms, a double bridge, exclusive materials and new colors.

Unlike the Original Wayfarer Color Mix, the Colorblock is one solid color all-over, albeit a little translucent. This rendition trades classic black or tortoise for teal, red and blue.

One of Ray-Ban’s most vintage-inclined shapes, the Clubmaster features wire-rimmed lenses with an acetate brow piece and acetate temple arms. Similar to the Wayfarer, you’ll find a Ray-Ban logo at each temple as well as the tiny metal embeds near up near the barrel hinges. The standard choice for anyone wanting a classic pair of Clubmasters is a black acetate frame with gold-tone metals and Ray-Ban’s classic green G-15 lens tint, but these are also available with tortoiseshell acetate, and polarized or G-15 lenses are an option for any color you end up choosing. You might also want to check out the ClubRound sunglasses, which are closely based on the traditional Clubmaster but with a rounded lens bottom.

Made in collaboration with Facebook, Ray-Ban Stories come with two cameras attached to the front for capturing both stills and video.

Read our review of the Ray-Ban x Facebook Stories here.

Bausch and Lomb developed this design in the ’30s to help protect the vision of military pilots; this was also the origin of the brand’s G-15 lens, which was made specifically for pilots before becoming a classic choice across all Ray-Ban sunglass options. Today you can also pick up polarized Aviators, in several frame styles and lens colors (as well as in titanium), for a slight increase in price.

The Hawkeye is a decidedly retro frame with a gradient colorway that transitions from tortoise to a pale tan.

These sunglasses from 1957 were put out as a geometric alternative to the Aviator, which was already immensely popular. Like the Marshal referenced below, these definitely have some leading-man cachet akin to Ray-Ban’s most popular and iconic styles, but they’re far less common than traditional aviators or Wayfarers. If you want to stand out in a very elegant way, it’s hard to do better than the Caravan.

Frank comes from the design aesthetic of the 1990s, adopting a squarish shape with rounded edges that would feel right at home on the face of JFK Jr.

The New Round, like the New Aviator, has decorative additions to the arms and comes in new colors.

This all-new Wayfarer introduces slimmer temples, new front rivets, and a more rounded lens. It's modern. But maybe that's not for everyone.

The shape is the only thing classic about Ray-Ban's Orion frame.

Based around a flat one-piece lens design, these sharp-shaped frames can be subtle or statement-making depending on what you’re after. Choose your nylon frames in glossy black, tortoise shell or fade-striped variations for a unique look that’s as versatile as anything else you can get from Ray-Ban’s lineup.

The State Street takes the original Wayfarer shape and exaggerates it. Bolder rims and more angular lines give it a distinct look.

A thick acetate frame with extra large lenses highlight Ray-Ban's State Side style.

The Square 1971 is a part of Ray-Ban’s throwback series of products that take to styles from the archives. These television-like lenses are mounted to metal frames and recall the groovy getups of the 1970s.

These oversized lenses offer a similar retro profile to the Square 1971, but in a slender acetate frame and with the arms positioned slightly higher on the lenses.

Available with gold or black frames, the Outdoorsman features vintage-inspired details like a brow bar and cable temples (hooked behind your ears) to better hold the shades on your face if you’re doing more than just beachcombing. You can also opt for the Craft version of the Outdoorsman (for a significant upcharge) which has genuine deer leather at the padded brow bar and temple tips, rather than rubber or plastic.

The difference between the Outdoorsman and its sequel mainly lies in the temples. Specifically, the portion that wraps around the ears. Whereas the original’s temples are made of metal and wrap around the ear 180 degrees, the Outdoorsman II only goes about 90 degrees and is padded with acetate which matches the brow bar.

Similar to the Outdoorsman, these sunglasses have a rounded brow bar, but where the Outdoorsman has curved cable temples, these are traditional. The Shooter features one very prominent difference that’ll make it stand out from the pack, though: the circular bridge. If you’ve ever wanted to channel Hunter S. Thompson à la Fear and Loathing In Las Vegas, start here. (Then go buy a bucket hat.)

These are aviators, but elevated. The frame is primarily titanium, but there are polished gold accents.

The Vagabond frame is an exception to most of Ray-Ban's pilot-shaped options. It has an acetate front with acetate arms.

This style might sound like it leans feminine because of its name, but it’s meant to be unisex. And if you like the fine temple arms and softly-shaped frame, you’ll have a wide range of colors and materials — nine of them on Ray-Ban’s site alone — to choose from.

Simply put, these are a feat of daring all on their own. Part poker player, part you-definitely-own-a-vintage-motorcycle, the Wings style is for someone looking to make a statement, but with their wide wind-blocking design and mirrored lens options, they definitely aren’t impractical. If they’re a bit too oblong for your tastes but you like the idea of having a windshield on your face, check out the Wings II; they’re very similar but with an angular frame shape to better complement a naturally rounded face.

A very trendy update to the General frame style, these feature iridescent coloring, a flat-rim design around the lenses and your choice of gold- or silver-toned steel frames, plus a flattened brow bar for an extra dose of character.

This Aviator riff combines the metal frames of the original and wraps the lenses in colorful acetate from the across the top bridge and around each lens. If you couldn’t decide between acetate and metal, this one lets you have it all.

The Aviator 1937 takes the designs of the icon all the way back to its roots, which, to be honest, isn’t all that different from the model you’ve come to know and love. This one is an online exclusive and if you’d be getting it for its mother-of-pearl accents.

Based on a design that came from the 1960’s and typically gets associated with that period’s counterculture movement, Ray-Ban’s Round Metal Classics feature green lenses and a thin wire frame in either grey or gold. The standard lens option is slightly convex but you can also find these with perfectly flat lenses to give them an even more opaque (and distinct) look.

This cross between round and square frames reads a bit like a more angular aviator style. With metal frames and acetate tips, the Hexagonal Flat is available in 13 different combinations of lenses and frames.

An angular cousin to Ray-Ban’s classic Aviators, these flat double-bridge shades come in several frame finishes — gold, light bronze, black and gunmetal gray. All options come standard with the brand’s classic green G-15 lenses. If you like the Marshal but want something with a bit more color, check out the Marshal II.

The successor to the Marshal, the Marshall II adds some extra spice by lining the hexagonal-shaped framed with acetate.

The Jack mixes round and hexagonal shapes to create a pair that looks like a pared back Marshal.

This style features a thin composite rim around each lens, which is then wrapped by a wire frame. It’s a bold, fashion-forward style, but if you’re looking for something more modern than the Wayfarer and you never, ever want to look like Tom Cruise from a distance, these might be right up your alley.

Like classic P3-style glasses before it, the RB2180 features a rounded shape with a keyhole bridge. The acetate frames come with Ray-Ban’s signature logo and rivets and a Johnny Depp-level of cool.

An easy way to take your sunglasses to the next level seems to be to mix acetate with metal, pretty much exactly like the Round Fleck sunglasses. The round frames combine the two materials deftly and the result is dripping in style.

The Oval narrows in on the silhouette of Ray-Ban’s iconic Round frames for a look that’s more reminiscent of the 1990s but still counts as a classic. Made with metal frames, silicone nose pads and a handful of lens choices from the G15 to gradient lenses and more, the Oval exude 1996 Brad Pitt (or The Matrix, if that’s more your speed).

Like the Oval classic, the Oval 1970 carries an ovular shape. But, as with Ray-Ban’s other archival remakes based on styles from the Flower Power generation, these shades are taller and more pronounced. No need to go full disco, but these look especially at home with a loud, open-collar shirt and some icy necklace.

Ray-Ban doesn’t mince words when it comes to many of its frames. The Octagonal Classic is somewhere between round and square.

The father of the Octagonal Classic, the 1972 version is taller, but not quite equilateral. We can’t say that Jimi Hendrix would have approved. But we can’t not say he would have approved.

Although Ray-Ban calls this frame shape "irregular," it's nearly round. It fits right in alongside the brands other rounded pairs.

While the popular Wayfarer looks a little bit like the Burbank, it sits straighter on the face and has smaller, more rectangular lenses.

Although the front is acetate, this frame has metal arms. A nice in-between pair for folks who can't pick between full-on metal or all acetate.

The Jeffrey frame toes the line between rectangular and square. Either way, it's a stylish, simple frame that'll look nice on most face shapes.

These retro-inspired frames take their inspiration directly from the Ray-Ban vault and feature oversized rectangular lenses held by metal frames. It’s available in eight combinations of lens colors and frame finishes.

The Julie is similar to Ray-Ban's plain Rectangular 1969 — rectangular lenses, a metal frame, nose pieces — but it comes in a few more colors.

The Inverness is named after the Scottish town the shape originates from, but that's the tamest thing about them. These are '70s-inspired through and through, from the exaggerated lenses to the thick temples.

Available in six colorways, these shades boast nylon frames — flexible, lightweight — and draw inspiration from the original Wayfarer shape to provide a larger, softer profile than their source material. Each frame color option has a different corresponding lens, so whether you want gradient lenses, G-15s, red-tinted or even mirrored, consider yourself covered.

The Baloramas first came out in 1967, and were quickly popularized as the wraparound style worn by Clint Eastwood in the Dirty Harry series. Granted, these might look best on a craggy face with a bushy 1970s leading-man haircut up top, but they’re such a cool cross-up between sporty functionality and sleek styling that you might have to ask yourself one question: “Do I feel lucky?”

These might not wear as easily as a lot of the styles Ray-Ban sells but they definitely have some sporty throwback appeal. If you’re really into 1960s-style wraparound shades, the ultra-lightweight nylon frames and classic G-15 lenses don’t leave much to be desired.

Available in seven colors, the Elon comprises a thin metal frame and gripped ear pieces.

Another design born in the 1960s, the Olympian sunglasses are sleek and sophisticated, as at home with a dark suit as they are with a bathing suit and dripping with midcentury panache. Add in Ray-Ban’s classic G-15 lenses and shiny gold-tone frames and you’ll look like a walking tourism ad for the sub-tropical locale you wish you were already in.

Built from a semi-crystalline thermoplastic that Ray-Ban claims is used in aerospace, medical equipment and automotive impact technology, these rectangular shades are impressively lightweight, durable and comfortable to wear. You can get the polycarbonate lenses in a silver mirrored finish or the classic G-15, and they’ll come standard with an oleophobic coating that repels water, dust and smudges.

With nylon frames and your choice of lens meant to accompany you on outdoor pursuits, these sporty shades feature a bold profile, durable construction and lightweight design. And like most sunglasses from Ray-Ban, these are available in several colors and multiple lens variants to suit your tastes and eye-protection needs.